Repertoire:

Musica Ficta specializes in early vocal music, polyphony as well as madrigals and medieval music. Using the polyphonic experience and the sound and clarity demanded by this music as a point of departure, Bo Holten and his singers have also proceeded to other periods, not least the romantic. All in all Musica Ficta's activities spans a wide register, focusing on introducing the rare and less known repertoire set in a thematic frame.
Here is a selection of early music repertoire with links to further information:

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Singing nuns and ladies from around 1200 - a programme combining Notre Dame repertoire performed by women, with women trouvère repertoire from medieval France.

Le Donne di Ferrara - a recreation of the most illustrious ensemble of the late renaissance: The idolized trio of ladies at the court of Alfonso II in the 1590's, to whom was composed an amazing amount of music.

The European viewpoint: A series of 13 concerts, each focusing on a court or metropol of 1600th century Europe. The programmes illuminates how the strong pan-european polyphonic tradition didn't result in conformity, but instead inspired a great flourishing of national styles, both sacred and secular.

The versatile Lassus: Three programmes spanning the surprisingly many sides of this composer genius: 1)The light-hearted Lassus 2) Lassus with pomp and splendour 3) The late Lassus (Lagrime di San Pietro)

1000 years of Danish music - a millennium project of 10 concerts / programmes

For more repertoire information including all periods, see repertoire in Danish: